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Rustem Kudoyarov Piano
master class |
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Rustem Kudoyarov was born in Kazan, Tatarstan, Russia. He studied at the Kazan State
Conservatoire with Prof. N. A. Fomina and graduated
in 1993. He then continued his postgraduate degree at the Moscow Tchaikovsky
Conservatoire with the renowned pianist, Nicolai Petrov. Rustem
Kudoyarov is a prize-winner of the Jose Iturbi
International Piano Competition in Valencia, Spain and the winner of the Konzerteum International Piano Competition in Greece in
1996. He has also won the All-Russia Safonov Piano
Competition in 1997. He has taken part in
international music festivals such as the Pianoforum
in Kazan, International
Festival of Contemporary Music “Europe-Asia” in Tatarstan, Shostakovich-tage in Berlin, Music of friends in Moscow, Trondheim
chamber music festival in Norway, The Spring in Russia in Moscow, Mozart
festival in Kazan, Festival of Music of Poulenc in
Moscow. He has
appeared with recitals and concerts with many symphony and
chamber orchestras throughout
Russia, Ukraine, Germany, Spain, Greece, South-African Republic, Great
Britain and Denmark. He possesses a wide range of repertoire in solo, chamber
and concertos ranging from Baroque to Modern and has also premiered
performances of new and "forgotten" music, such as chamber and
piano music by Richard Dubugnon, piano quintets by
Frank Bridge, Ralph Vaughan Williams and music of Croatian composers. Kudoyarov broadcasts regularly with the Radio and TV
corporations in Russia. His first CD was released by Classical Records in
2005 and consists of works by Sofia Gubaidulina,
Liszt, Chopin and the premiere recording of the Three dances op. 20 by
Richard Dubugnon. He is currently the principle soloist at the Moscow State Philharmonic Union "Mosconcert" and has
been teaching piano at the Moscow State Conservatoire since September 2001. He also gives master classes internationally. Reviews
“Extraordinary talent,
with sensational touch, sound and tone colour, possesses complete control with discreet
shades of dynamic effects in a sober and vivid way, never presumptuous,
always in accordance with the music, as displayed in Beethoven’s Sonata in D
minor 0p.31No.2 as well as The Romances op.28 by Schumann……. The Polonaise in
E Major by Liszt was a sheer equilibristic show-piece, balanced in a wondrous
and subtle leggiero……..”
Tore Mortensen, Nordjyske Tidende “Impeccable style and
the highest sense of virtuosity, capable of winning over any listener… from
tiny decorated beads to stunning cascades of chords and octaves just seized
one's breath. Everything was subject
to one purpose; addressing higher artistic goals.”
Simbirsky Courier |
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Video
2007 |
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