Letizia Morelli
Jazz is an
attitude
Letizia started
learning classical piano but she was surrounded by jazz all her childhood.
Singing became her world.
Soon she discovered improvisation through listening to recordings, which she says were her true masters. She also attended several courses in France (given by Anne Ducros, Michele Hendrix, Marc Murphy). Then followed professional training at the Berklee College of Music, Boston, USA, where she won a University scholarship. There her dream came true, studying voice technique with Vivian Reed as well as harmony, writing, and composition.
She took part in several Jazz, Gospel, Brazilian and Indian music
workshops. These contributed substantially to the enrichment of her repertoire
and to the refinement of her style.
Back in France (1998) Letizia gave her first performances in many
Paris clubs - the Bilboquet, the New Morning, the Sunset, the Petit Journal, the
‘Caveau de la Huchette’, where she met some of the best known jazz
professionals. After giving proof of her own professionalism, she joined the «Family»
and also performed at private evenings and functions, as well as in many
fashionable venues in Paris (Reservoir, Opus Café, Westminster, Ritz, Man
Ray….).
She very soon attracted attention and, thanks to her versatility,
was quickly in great demand for festivals and received offers to tour with
African, Malagasy, Venezuelan and Brazilian musicians.
She has created a double act, «Bloody Merry», with Valerie Benzaquine (who
also teaches piano jazz on the course) where she is able
to express herself with most freedom. Their lengthy cooperation culminated in
an invitation to the vocal jazz festival at the « Sunset », where
they made a name for themselves, thanks to the originality of their intimate
formula and compositions.
The « Bloody Merry» are making a new album, and Letizia is
also producing another album, on the funky side.
While busy with her professional life as a performer Letizia
carries on teaching, which she enjoys.
Transmitting music to her
students is an essential part of her life. She remains convinced that her role
is to give them the keys for a long journey requiring total self-investment.
«One must listen to masters, says Letizia, (ELLINGTON, BASIE,
LESTER YOUNG…SARAH, ELLA…….) and immerse oneself in this world through their
recordings …know all about them, and of course love it.»
One of Letizia’s friends says that jazz is an attitude. She shares
that feeling: Immerse yourself
in it and you will be ready to learn.
Letizia
says : ‘ I’d
like students registering with me to bring along a recording machine to record
their classes , some music paper and two jazz pieces of their choice, which
they should prepare beforehand.’